In 2020, at a Washington, D.C. symposium organized by the Smithsonian Cultural Rescue Initiative (SCRI), Ihor Poshyvailo, the director of the Maidan Museum in Kyiv, warned American and international colleagues that culture was becoming an object of war, as Russification policies in the regions captured in 2014 were aimed at diminishing a Ukrainian presence. Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. The Smithsonians Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. The record label originated as the Folkways Records of Moe Asch, which were donated to the Smithsonian in 1989 under the unique condition that all records in the collection remain available "forever", regardless of sales. (1981), Ph.D. (1995) University of Pennsylvania. On this Wikipedia the language links are at the top of the page across from the article title. B.A. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. Through audio recordings and educational materials Smithsonian Folkways strengthens people's engagement with their own cultural heritage and enhances their awareness and appreciation of the cultural heritage of others. Curator. It has become a national and international model of a research-based presentation of intangible cultural heritage. In the space of 15 years on the international playing field folklore has been rebranded as cultural heritage. [note 3]. Those trucks were later reported to have delivered the artworks to the Russian-controlled Central Museum of Tavrida in Simferopol, Crimea. There are restrictions for re-using this image. These are some of the issues investigated in this research area, which focuses specifically on the indigenous or minoritized languages of Europe. Tradition is always with us, shaping our thoughts, our behavior, our path into the future. project is a collaboration between the people of Armenia, the Smithsonian, and USAID. Following the Bicentennial Festival, Morris went on to other positions in the Smithsonian complex. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. Cultural Sustainability Research in Action. 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Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Research specialties: Material culture, folklore and education, public programming. Ralph Rinzler Folklife Archives and Collections. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. Advertising Notice In 2010, a fourth component was added to this model: culture. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. This component, previously tucked in with social sustainability, was now to considered in its own right. Through Festival field and documentary research, curation, live programs, and digital storytelling, the Festival communicates an unwavering commitment to representing diverse cultures as a positive force for cultural equity, inclusivity, and the common good. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. B.A. B.A. (1989), M.A. The trips are daunting, as the conservators traverse war zones and find museums and facilities severely damaged, bereft of roofs and walls, and lacking power and utilities. (1973) Scripps College, M.A. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. Contact:Marjorie@si.edu, Kim, Sojin, Curator. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. In their "Artisan Initiative"., CFCH is dedicated to building the sustainability of craft traditions of individuals and groups. It produces more than a dozen new recordings annually, some from the archives, and others from contemporary documentation and recording projects. The center is composed of three distinct units. Ralph Rinzler Performs at Festival of American Folklife, 1988. (1985) Wichita State University; M.A. B.A. Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. B.A. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. (1964), Ph.D. (1973) University of Pennsylvania. It posited that these components must work in concert with each other to insure that current development does not impede development in the future. The Smithsonian Folklife Festival is a research-based presentation of living cultural heritage annually produced outdoors on the National Mall. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. Research specialties: Music history, library and information sciences, ethnomusicology, multicultural history of the banjo. nmaahc.si.edu. Visitors enjoy the 2004 Smithsonian Folklife Festival on the National Mall. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. Russian leader Vladimir Putin has wrongly made culture both a justification and an object of war with Ukraine. Every summer since 1967, the Smithsonian Folklife Festival brings together artisans, musicians, cooks and storytellers from around the world on the National Mall in Washington, D.C., for performances, workshops, and demonstrations of living cultural expression. (1979) State University of New York at Binghamton; M.A. Accessibility, Diversity & Inclusion, Anthropology - Cultural, Archival, Collections Management, Communication & Marketing, Computer & IT, Crafts, Cultural Heritage, Curatorial, Design, Development & Fundraising, Education, Film, Music, Photography, Public Affairs & Social Media, Research & Analysis, Special Events & Festivals, Women's Studies, (1987) University of Maryland. As one of the "Grand Challenges"[14] of the Smithsonian, CFCH strives to be steward and ambassador of cultural connections. (1972); Ph.D. (1989) George WashingtonUniversity. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. (2012) Leiden. Hawaiian Participants at Festival of American Folklife, 1989, Quilter Demonstrates Her Craft at Festival of American Folklife, 1968. The Cultural Vitality Program works collaboratively with communities around the world to support the sustainability of homegrown forms of cultural and artistic production, especially in the areas of language, Indigenous culture, and craft. The Dalai Lama, 2000 Smithsonian Folklife Festival. A third team involved in the more theoretical work on "cultural policy". (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. (1972) State University of New York, Buffalo; M.A. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. (1973) New York University; M.A. Wegener received a message early on from the head of a university-based herbarium. Join our mailing list and help us with a tax-deductible donation today. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. Among them was the Kosciuszko Foundation, a Polish American organization that, with funding and advice from the Smithsonian, has provided emergency stabilization supplies for dozens of Ukrainian museums from its offices in Warsaw. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. Contact:SheehyD@si.edu, Cadaval, Olivia, Research Associate. Rinzler had previously worked at the Newport Folk Festival, and brought with him both the know-how and connections needed to pull together a new DC folk festival. In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. A participant works on a quilt at the 1968 Festival of American Folklife on the National Mall, Washington, D.C. Yugoslav Dancers at Festival of American Folklife, 1973. (2007), Ph.D. (2015) New York University. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. (1974), Ph.D. (1981) University of Chicago. By the time of the Bicentennial Celebration 10 years later, the DC Folklife Festival had been incorporated into the festivities for the national party with activities scheduled throughout the summer. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. The Center also produces major national cultural events consistent with its mission. The National Park Service has as one of its objectives the preservation of historic sites, partnering with CFCH in their concerns for the cultural sustainability of both tangible and natural cultural resources. Your Privacy Rights Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. They have tackled challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings quickly? Currently there are three main research areas actively sponsored by CFCH. Taquile Musicians from Peru at Festival of American Folklife, 1991. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. With nearly 60,000 tracks of digitized music and sound, Folkways is a cultural treasure with unique holdings in American folk, world music and childrens music, including special series dedicated to African American and Latino music. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. B.A. The process is detailed, time-consuming and sometimes frustrating. At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. Theyve conducted inventories and composed condition reports. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. The Washington Monument is visible in the background. Contact:CadavalO@si.edu, Leopold, Robert, Research Associate. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. The Smithsonian accessed funding provided by its federal appropriations and tapped stalwart donorsBank of America and the Mellon Foundation to support packing and protection efforts and the acceleration of its satellite monitoring work. Contact:PlaceJ1@si.edu, Sheehy, Daniel E., Curator and Director Emeritus, Smithsonian Folkways Recordings. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. An image dated two weeks later, on February 27, depicts the museum roofless with major damage, while other nearby buildings remained undamagedan indication that the museum was specifically targeted. Satellite imagery from November 1 reveals the large trucks parked at the side of the museum and another vehicle, a van, stationed in its courtyard. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. B.A. Polish organizations lent tremendous logistical help. Contact:HolmgrenM@si.edu, Hunt, Marjorie, Folklorist, Curator, Education Specialist. This project responds to that urgency by developing robust comparative research on revitalization eorts in six minority language communities. Eliot Elisofon Photographic Archives, African Art. B.A. The Center has an active website and features Folklife Magazine, a robust digital vehicle for publishing information about cultural traditions and contemporary issues aimed at a popular audience. It now includes an extensive collection of traditional American music, children's music, and international music. Curator. Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturisms historic and poignant engagement with African American history and popular culture. HERI mobilized to provide emergency packing materials. Contact Soeun directly . 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